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When Atelier Ryza released, the world was left asking whether there was more to Reisalin Stout than meets the thighs. Seven years and a frankly dangerous number of Ryza figures later, the answer is still yes.

Ryza has spent her figure career adventuring, synthesizing, swimming, lounging around in pajamas and wearing enough alternate costumes to fill an Atelier wardrobe on her own. Now Ques Q has found another job class for our favorite alchemist: bride.

For anyone somehow still unfamiliar with her, Ryza began as an ordinary girl from Kurken Island who wanted something more exciting than her quiet everyday life. Meeting the wandering alchemist Empel puts her on the path toward becoming an alchemist herself, with gathering, synthesis and exploration forming the core of the games. Unlike most Atelier heroines, Ryza did not hand the protagonist role over after one game. Her popularity carried her through an entire trilogy, allowing us to actually watch her grow from an impulsive village girl into a much more experienced alchemist.

Atelier Ryza 3: Alchemist of the End & the Secret Key takes place a year after the second game and serves as the final chapter of Ryza’s story. A mysterious group of islands appears near Kurken Island, sending Ryza and her friends out on one last summer adventure. It was a fitting end to a trilogy built around friendship, growing up and squeezing as much adventure as possible out of summer vacation.

And after three summers together, apparently it is finally time to talk about marriage. At least... sort of.

Ques Q is very clear that the new Ryza Wedding Style is a “what-if” bridal appearance rather than something taken from the game itself. And man, Ryza cleans up nicely.

The figure keeps her familiar cheerful expression rather than trying to turn her into an overly serious princess bride. Her wide smile and bright eyes still look unmistakably Ryza, which is important when the outfit is so far removed from her normal adventuring gear. Put her in a traditional elegant pose with a reserved expression and you could easily lose some of the tomboyish charm that made her popular in the first place. Instead, she looks genuinely excited to be there.

The flower crown and veil frame her short brown hair nicely, with little gold accents keeping the head area from becoming a wall of white. The veil itself is fairly simple, but that works with the rest of the design. There is already a lot happening below the waist.

And yes, this is still Ryza. The dress uses a high-low design with several layers of flowing white fabric, leaving the front open enough to make sure her famous thighs remain very much part of the composition. Ques Q specifically highlights the multiple layers of drapery, and they are easily the main sculpting attraction. Rather than one solid skirt, each layer folds and curls independently, giving the lower half a lot of volume without hiding Ryza underneath it.

It is a clever compromise. You get the dramatic silhouette of a wedding gown from the sides and back, but from the front it is still recognizably a Ryza figure. Whoever designed this understood the assignment.

The thigh-high stockings add a little extra detail to the exposed legs, including delicate decorative bands near the top. They also create some much-needed texture contrast against the bare skin and smooth white dress. Ryza without the trademark thigh pinch would be an instant pass for many, so thankfully the wedding ceremony has not interfered with sacred tradition.

The upper half of the dress is much cleaner. The fitted bodice follows Ryza’s figure nicely, while the long detached gloves add some elegance without making her suddenly look too formal. Small lace details around the neckline keep the whole design connected.

The bouquet is also simply genius and shows that the designer of the figure truly understands Ryza. Instead of going completely white and pastel, Ques Q gives her a bright mix of sunflowers, orange and pink roses, smaller flowers and green leaves, finished with long yellow ribbons. It adds a huge splash of warm color right in the center of the figure and feels much more appropriate for Ryza than a restrained bouquet of white roses would have. Her entire trilogy is associated with summer, so putting what is basically a little piece of sunshine in her hands feels perfect.

The paintwork is also doing something smart with all that white. Pure white figures can easily become flat because there is not enough contrast for the sculpting to stand out. Here, subtle shadows between the layers of the dress help define each fold, while Ryza’s warm skin, brown hair, golden accessories and colorful bouquet keep the overall figure from becoming washed out.

There are plenty of figures showing her standard costumes and no shortage of designs primarily to remind you why she became the Patron Saint of Thighs. Wedding Style still appreciates those sacred assets, but the elaborate dress gives the figure a much more elegant shelf presence than Ryza usually gets.

Ryza Wedding Style is currently available for pre-order and you can save 19% with an early bird discount!

Thank you for reading!