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Hatsune Miku has never exactly struggled when it comes to iconic looks, but every so often a design comes along that feels like it was engineered in a lab to take over figure wishlists. Rabbit Hole Miku is one of those designs.
Even if you already know Miku inside and out, this particular version might need a quick introduction. The look comes from DECO*27’s Rabbit Hole, the wildly stylish Miku song and music video that paired sugary visuals with a much sharper, more provocative edge than your average pop anthem. Omutatsu illustrated Miku in a way that added just enough danger under the surface to keep it from feeling like just another cute Miku outfit.
That is also a big part of why this design stuck.
When you want beautiful piano melodies, you go to Orangestar. For fans of rock, there is the literal one man band, 164. And when you want to hop along to a beat, you go down the Rabbit Hole.
Rabbit Hole was never really aiming for soft, innocent idol energy. It is a fast, high-tension dance-pop number, with a bass track adding to that springy, rabbit-like rhythm. And now Good Smile has taken that MV version and turned it into a POP UP PARADE L Size release.
One of the big appeals of PUP has always been getting striking character looks in a format that feels more accessible than a full premium scale, and the L Size treatment helps here a lot. Rabbit Hole Miku is a design that benefits from visual presence. The bunny suit, fishnets, long silhouette, and confident pose all rely on attitude. Shrink that down too much and some of the magic disappears. At around 24 cm, the L size puts her close to the same height as 1/7 scales and gives enough height to actually sell the silhouette properly.
What immediately works about this figure is that Good Smile seems to understand what fans liked about the original design in the first place. The highlights are her teasing expression, the contrast between the glossy bunny suit and fishnet texture, and the light, dynamic pose that makes it look like she could spring into motion at any moment. Those are exactly the right points to emphasize.
There are a lot of Miku figures that go for pure sweetness, pure elegance, or pure stage energy. This one is doing something a little different. She looks amused. Slightly smug, even. That kind of face matters more than people think, especially for a design that was about attitude. The figure really needs that cute, but maybe also a terrible influence balance.
Glossy bunny suits can look great in photos, but if the sculpt does not give the rest of the design enough variety, the whole thing can start feeling too smooth and toy-like. Here, the fishnets do a lot of heavy lifting. That change in surface texture breaks things up nicely and gives the figure more visual punch, especially paired with Miku’s long twin-tails and the pyon pyon hand pose. It is a smart way to keep a relatively simple outfit interesting from multiple angles, which is exactly what a good figure adaptation should do.
Miku’s hair has always been one of the easiest ways for a sculpt to create motion, and Rabbit Hole is a design that benefits from any extra sense of bounce or swing. Since the song itself is such a fast, high-energy track, a static pose would have felt like a mismatch. The lighter, more dynamic posture gives the figure a bit of that MV energy back. It is not an over-the-top action pose, and that is probably the right choice. Too much movement might have made it messy. This version seems to aim for something cleaner: poised, playful, and just a little dangerous.
Rabbit Hole Miku is currently available for pre-order with a September 2026 expected release.
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